This adds to the greater sense of clarity, but where the Flip 5 is quite forgiving and easygoing through these higher frequencies, the Flip 6 certainly exposes the harshness of some recordings. At the end of Sign O’ The Times, for instance, the double-speed high synth solo features an extra ounce of fullness in the tweeter-enhanced Flip 6. During Curtains, the Flip 6 presents a surprisingly accurate sense of each band member’s position within the soundstage, too.Īcross the course of our listening, the sonic differences between the five-star Flip 5 and its updated Flip 6 counterpart are striking and almost always fall in favour of the newer product – but not universally. Our playlist continues to Adore, and as Prince unleashes his vocal stylings, the Flip 6 delivers a cleaner and more emotive performance overall, sounding more spacious and open than its predecessor but without losing cohesive timing across the frequencies.Īt the outset of Amateur Theatre Group’s Feed Me To The Lions there’s a pleasingly three-dimensional feel to the pensive keys, kick drum and lilting guitar. There’s plenty of oomph and energy across the frequencies, with any perceived bloatedness melting away once the speaker has been properly run in overnight to reveal a surprisingly snappy and more full-bodied low end than we hear through the older model. Setting the equaliser back to neutral, we stream Prince’s funk-heavy Sign O’ The Times on Tidal from our iPhone and are immediately reminded of how zippy, agile and fun JBL’s Flip offering has long been. Want to conduct a phone call using the Flip 6? Sadly, that’s not possible – there are no mics here, nor is there an aux-in for wired listening, but in a portable speaker famed chiefly for its sonic capabilities, we can overlook said omissions provided the sound is indeed worth it. Although we would not recommend it for indoor listening, there are scenarios where upping the treble or mid frequencies to cut through external noise (at the beach, for example) is a bonus, and here it certainly adds value.Īlso worth mentioning is the fact that you can pair two devices to the Flip 6 simultaneously.Īs with its predecessor, there are a few things missing on the Flip 6’s spec-sheet when pitted against some of its direct Bluetooth speaker competition. Sadly, bass fiends won't glean much from sliding the bass tab up to its maximum, even if they minimise the mid and treble tabs, but in a design roughly the size of a hotdog, that is hardly surprising – and this speaker does not lack in the bass department. On the Flip 6’s in-app dashboard, above the feedback tone slider (to turn off audible notifications when pairing/disconnecting/powering down etc.), you’ll now see a three-band equaliser to tweak the sound – a perk we have long been hoping for.Īfter spending some time with the bass, mid and treble sliders, we find augmenting the midrange or treble easiest to detect, as you might imagine. It is not possible to create a stereo pair from a Flip 5 and Flip 6, which is a shame, but that isn’t a new surprise. mono) mode, or in stereo if you have another Flip 6. Here, thanks to Partyboost toggles, you can locate other JBL Partyboost-enabled speakers (such as the Flip 5) and connect them in ‘party’ (ie. The Flip 6 has a veritable ace up its sleeve when you download the JBL Portable app.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |